Blog

Readers deeply invested in Nick and Charlie will probably enjoy returning to their gentle world because their affection remains convincing, and their future matters because the previous volumes have made them so easy to care about. This instalment offers a comforting visit and an important stage in their development, but it again feels more like a bridge towards the conclusion than one of the series’ defining volumes.

Aria’s friendship with Calliope and Flitter gives this story its emotional depth. Their experiences expose the machinery beneath Hollywood’s dream factory, where beauty is treated as currency and a young woman’s career can depend upon how much of herself she's prepared, or pressured to surrender. Bob Ashenhurst, the self-appointed King of Hollywood, is the clearest face of that corruption. His power rests upon more than his own behaviour.

As winter deepens and the fishermen return with empty nets, fear begins to consume the isolated community. Selkies, strangers and women who refuse to behave as they should all become convenient objects of suspicion. Malie has to contend not only with the mystery of her mother’s disappearance but with an increasingly dangerous husband and a society structured to protect his authority rather than her safety.

At its centre is Franny Stone, a woman driven by an almost physical need to keep moving. She's crossed countries, abandoned homes and repeatedly left the people she loves, but her latest journey is different. Believing that the Arctic terns may be undertaking their final migration, Franny travels to Greenland and attaches tracking devices to three of the birds. She intends to follow them south to Antarctica, where she'll fulfil a promise connected to her husband Niall.