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At the heart of this story is Stasya, a young woman who stands apart from her village—not because she’s been banished, but simply because she doesn’t quite fit. She’s the sort who listens before speaking, walks the woods rather than gossiping at the local pub, and, perhaps most notably, understands animals in a way that unsettles her neighbours.

P.J. Larkin is a writer on the brink of giving up, her manuscript rejected, her patience worn thin. George Dunn is everything she is not: established, successful, suddenly flush with a million-dollar deal for a novel that looks, at least from the outside, uncomfortably familiar. What happens next is impulsive, almost careless—a social media post—and yet it detonates with absolute precision. Careers begin to unravel. Narratives take shape. Sides are chosen long before facts ha